{"id":125,"date":"2020-03-18T18:08:29","date_gmt":"2020-03-18T18:08:29","guid":{"rendered":"http:\/\/negrin.com\/francisco\/new\/?page_id=125"},"modified":"2024-10-07T17:29:38","modified_gmt":"2024-10-07T17:29:38","slug":"opera-shows","status":"publish","type":"page","link":"https:\/\/negrin.com\/francisco\/opera-shows\/","title":{"rendered":"Opera Productions"},"content":{"rendered":"\n

Ordered according to the most recent performance of each show.<\/p>\n\n\n\n\t\t\t

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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tLady Macbeth of Mtsensk<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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This production of Shostakovich’s masterpiece pushed the possibilities offered by the opera house in Leipzig…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tSalom\u00e9<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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Francisco directed this production in Valencia in 2010, with a concept that showed the dangers…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\"Nabucco\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tNabucco<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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After a year\u2019s delay due to the pandemic, Nabucco opened at the monumental Sankt Margarethen…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tIl Trovatore (v2)<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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This is a the totally rethought indoor version of the previous outdoor production. Now set…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tJ\u00e9rusalem<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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Francisco’s production of J\u00e9rusalem, the French language opera by Verdi, opened in Bonn in January…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tThe Snow Queen<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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The Snow Queen, a new opera by Hans Abrahamsen, had its world premiere in Copenhagen…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tIl Trovatore (v1)<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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In this production Negrin focused on making virtues out of the famously difficult aspects of…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tAlcina<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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A coproduction between two totally different theatres (the new stage in Oslo and the old…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tIdomeneo<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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Mozart’s favourite opera and a piece Negrin had wished to stage from the beginning of…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tMitridate (v2)<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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Negrin’s second production of Mitridate was conceived from scratch, unlike the previous one’s many adaptations…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tTha\u00efs<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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This production opened to long standing ovations. The piece was an unexpected surprise for audiences…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tThe Cunning Little Vixen<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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This was an innovative concept, being one of the first opera productions to be set…\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tRead More<\/a>\n\t\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tWerther (v2)<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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This is Francisco’s second production of this opera. Intent on making palpable every nuance in…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tMacbeth<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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This production seemed quite traditional in its visuals but surprised the audience by in fact…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tRinaldo (v2)<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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Francisco’s second production of this brilliantly visual piece, composed by Handel to show off scenic…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tL’Arbore di Diana<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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This show was conceived along with Francisco’s second production of Cosa Rara as a Martin…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tI Puritani<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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After directing Norma, also by Bellini, Francisco Negrin was very interested in directing another major…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tUna Cosa Rara (v2)<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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This was Francisco’s second production of this opera.While the first was in the totally authentic…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tAlceste<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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This production was conceived especially for Christine Brewer and, of course , for the very…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tPartenope (v2)<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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This is the second production of Partenope directed by Francisco Negrin. Using his experience of the…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tLa Corte de Fara\u00f3n<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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La Corte de Far\u00f3n was a great challenge. How to stage a quaint and “naughty”…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tOrlando<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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The last in 12 years of collaborations with designer Anthony Baker who moved on to…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tLa Clemenza di Tito<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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This was Francisco Negrin’s\u00a0 second collaboration with Es Devlin.\u00a0 The show opened the season at\u00a0…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tNorma<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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This production was blessed with many starry casts and been seen several times on television…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tDie Lustige Witwe<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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The challenge here was for a totally non-germanic director to direct a classic Viennese operetta…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tMitridate (v1)<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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Originally conceived for the very specific attributes of the B\u00e2timent des Forces Motrices (a converted…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tTemistocle<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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Francisco’s debut in Germany, and the first chance to work with his new Barcelona-based design…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tOrph\u00e9e (v2)<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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Originally intended to be a revival of the earlier site-specific production done for Copenhagen (see…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tGiulio Cesare (v2)<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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Concieving a second production of Julius Caesar after his earlier Sydney one was such a…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tKafka’s Trial<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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A new opera house, a new piece, new laser-driven remote control technology for the set,…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tLeonore<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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First presented as Fidelio at the Flemish Opera, the production was then adapted to suit…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tArabella<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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The intention of this production was to show the really lyrical and tender aspects of…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tAgrippina<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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As Santa Fe Opera’s own publicity for the following season put it, Agrippina turned out…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tDon Giovanni<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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Francisco’s most controversial show up to that time. The Vienna version, pure. The real title,…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tPartenope (v1)<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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The combined magic of a little known Handel masterpiece with a rare connection between the…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tFidelio<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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Presented at the Flemish Opera, this production, entirely concentrated on the idea of the protagonist…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tGiulio Cesare (v1)<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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This is the production that started Francisco Negrin’s international career. It was a total hit…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tRinaldo (v1)<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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Another chance for Francisco to work with his “Handel team” (Harry Bicket, David Daniels, Lisa…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tBeatrix Cenci<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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It was a challenge to turn Ginastera’s chaotic but incredibly strong score and premise into…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tDer Freisch\u00fctz<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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This was a coproduction between the Th\u00e9\u00e2tre des Champs Elys\u00e9es and Lausanne opera. The show…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tOrph\u00e9e (v1)<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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A site specific production thought up for the wonderful electrical power station called Turbinehallerne that…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tVenus<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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This was one of Negrin’s most successful shows ever. The unknown but hugely effective piece,…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tLes Contes d’Hoffman<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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This production sadly had to be based on the Richard Bonynge edition of the score,…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tKing Arthur<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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Uniting the students of the Opera and Theatre departments of the Guildhall, along with Dance…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tUna Cosa Rara (v1)<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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This show was designed to show off the workings and original sets of the intact…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tV.S.<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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James MacMillan’s Visitatio Sepulchri is a stage oratorio that was premiered at the Tramway theatre…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tTourist Variations<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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This piece was commissioned by the Traverse Theatre for Edinburgh’s main Festival . Francisco Negrin…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tDouble Bill<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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The little known Gounod piece La Colombe was a perfect and unusual companion for L’Heure…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tDon Carlo<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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This was a new staging by Francisco, but devised using an existing set and existing…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tCos\u00ed Fan Tutte<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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This show was designed using a budget and time slot that were intended for the…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tThe Jewel Box<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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This piece was created by Francisco Negrin and Paul Griffiths using arias and ensembles Mozart…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tLa Traviata<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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This was a production that Francisco Negrin prepared using the existing set and most of…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tOrlando Paladino<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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The second opera to ever be staged at what would become a very respected festival…\t\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tJan\u00e1cek’s Diary<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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A semi-staged performance using only the artists’ performance skills and a few simple props Part…\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tRead More<\/a>\n\t\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tWerther (v1)<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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Francisco Negrin’s first major production. With its very extreme concept the production went quite against…\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tRead More<\/a>\n\t\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tThe Fall of the House of Usher<\/a>\n\t\t\t<\/h3>\n\t\t\t\t\t\t
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This was a project developed with conductor Peter Ash, creating a performable version of Debussy’s…\t\t\t\t<\/div>\n\t\t\t\t\t\t

\n\t\t\t\tRead More<\/a>\n\t\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t","protected":false},"excerpt":{"rendered":"

Ordered according to the most recent performance of each show.<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/template-full-width.php","meta":{"_uag_custom_page_level_css":"","footnotes":""},"class_list":["post-125","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"post-thumbnail":false,"twentytwenty-fullscreen":false,"form-edit-image-preview":false,"jetpack-portfolio-admin-thumb":false},"uagb_author_info":{"display_name":"negrin5","author_link":"https:\/\/negrin.com\/francisco\/author\/negrin5\/"},"uagb_comment_info":0,"uagb_excerpt":"Ordered according to the most recent performance of each show.","_links":{"self":[{"href":"https:\/\/negrin.com\/francisco\/wp-json\/wp\/v2\/pages\/125"}],"collection":[{"href":"https:\/\/negrin.com\/francisco\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/negrin.com\/francisco\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/negrin.com\/francisco\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/negrin.com\/francisco\/wp-json\/wp\/v2\/comments?post=125"}],"version-history":[{"count":15,"href":"https:\/\/negrin.com\/francisco\/wp-json\/wp\/v2\/pages\/125\/revisions"}],"predecessor-version":[{"id":1985,"href":"https:\/\/negrin.com\/francisco\/wp-json\/wp\/v2\/pages\/125\/revisions\/1985"}],"wp:attachment":[{"href":"https:\/\/negrin.com\/francisco\/wp-json\/wp\/v2\/media?parent=125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}